Friday Facts: The Monstrous Movies

The Monstrous MoviesWelcome back to the article The Monstrous Movies by Charles Hanson Towne, which was originally published in Vanity Fair in September, 1921. Today I’m re-publishing Part II of a III part look at this wonderful piece of writing, which gives us a taste of life during the golden silent era of the very early 1920’s. Last week this article looked at the ever-growing popularity of becoming an actor on the silver screen, because it was noticeable as a good path to quick riches and wealth. Of course in reality most actors, or wanna be movie-stars, were left looking on with envy as a select few fellow thespians did make it to the top, if even momentarily. Do enjoy this weeks installment:


A Critical Close-up


Theatre Gallery“It is the movies themselves which have invented and invited the close-up. They must not complain, then, if we tear down all obstructing barriers, and seek to view them as they are, through a microscope; revealing every wrinkle as a crevasse, every shadow as a mountain, every least gesture as a tempestous orgy of emotion.”


“Yet I repeat that this phenomenon of the movies must be taken seriously. When one goes, as I did recently, to a city like Chicago and finds on the South Side, a district equivalent to New York’s Harlem, a two-million-dollar building of a magnificence housing nothing but photoplays, and sees over four thousand people packed in, watching and listening and obviously amused and thrilled, he asks what all this means, and admits, unless he is a Dumbkopf, the coming in of a new order. Particularly is he amazed and bewildered when, in the same city, he witnesses a brilliant spoken farce-comedy, deftly played by distinguished actors, given before half-empty benches – yet in the very heart of the town. What is one to say in the light of such over-whelming evidence? Simply that something has entered the world, suddenly, which grips the people, appeals to them, rivets their attention, and drives them out of the old established theatres. The galleries went long ago. Perhaps the balconies and orchestras will leave next. Then what?”


Old Theatre“One explanation comes, of course, instantly to the observer’s rescue. That farce-comedy cost $3.30 to see; the movie house asked only fifty-five cents for the best seat in a gorgeous auditorium. And not only was a good picture revealed, but operatic music was charmingly sung, and an orchestra of over sixty pieces, led by a trained director, rendered excellent music. The seats, I may add, were the last word in comfort, better than those in the ‘legitimate’ house, and the sense of charm and barbaric glory was all about – too much of the latter to suit my taste, but there, nevertheless, for the multitude that drinks in such surroundings and takes home the memory of a palace hitherto undreamed of.”


Actress Lillian Gish

Actress Lillian Gish (Photo credit: Wikipedia)


“It is disillusioning and sometimes disheartening to see a picture in the process of making; to hear hammers sounding in some great studio while an actress behind a pasteboard set registers all the deeper emotions and permits her beautiful face – yes, beautiful at even eight in the morning! – to be daubed with glycerine tears, and, to the plaintive tune of a cheap violin, falls back on her couch of pain, while the camera inexorably turns, and men from the wings and ceiling pour merciless rays of light on her lovely head. I should think t would be anything but fun to “emote” like this, with no applause at the end of the scene. Wasn’t it Whitman who said that if we are to have great poets, we must have great audiences, too? How much more applies to actors!”


And that’s all for this week, but not to worry, I’ll be back next week with the third and final installment of The Monstrous Movies. Okay, so you want to be in the movies!


Posted by Michael ‘Charlie’ McGee




A Quote on Thursday: 1960’s Part 1

Cropped screenshot of Bette Davis and Joan Cra...

Cropped screenshot of Bette Davis and Joan Crawford from the film Category:Whatever Happened to Baby Jane? (film) (Photo credit: Wikipedia)

Welcome back down memory lane – this week I’m gonna take a look at some of the quotes from films of the first half of the 1960’s. Now how many of these classics can you recall:


English: Screenshot of Jack Lemmon and Shirley...

English: Screenshot of Jack Lemmon and Shirley MacLaine in the trailer of the film The Apartment (1960) (Photo credit: Wikipedia)

The Apartment (1960):
“Did you hear what I said, Miss Kubelik? I absolutely adore you.”
Shut up and deal!”

Elmer Gantry

Elmer Gantry (Photo credit: Père Ubu)

Elmer Gantry (1960):
“I’ve heard many a powerful Bible-walloper, but you not only put the fear of God into them, you scared the hell out of ’em.”

A scene from The Little Shop of Horrors.

A scene from The Little Shop of Horrors. (Photo credit: Wikipedia)

 The Little Shop of Horrors (1960):
“I didn’t mean it.”

The Magnificent Seven, 1960

The Magnificent Seven, 1960 (Photo credit: thefoxling)

The Magnificent Seven (1960):
“The old man was right, only the farmers won. We lost. We’ll always lose.”

PsychoNorman says HELLO!

Psycho (1960):
“Well, a boy’s best friend is his mother.”

Psycho 2Home Sweet Home

Psycho (1960):
“Mother, my mother, uh, what is the phrase? – She isn’t qu-quite herself today.”

Cover of "Spartacus"

Cover of Spartacus

Spartacus (1960):
“I am Spartacus.”


Cover of "Breakfast at Tiffany's"

Cover of Breakfast at Tiffany’s

Breakfast at Tiffany’s (1961):
“Listen, you know those days when you get the mean reds…No, the blues are because you’re getting fat or maybe it’s been raining too long. You’re just sad, that’s all. The mean reds are horrible. Suddenly you’re afraid, and you don’t know what you’re afraid of. Did you ever get that feeling?…When I get it, the only thing that does any good is to jump into a cab and go to Tiffany’s. Calms me down right away.”

The Birdman of AlcatrazScene from The Birdman of Alcatraz

The Birdman of Alcatraz (1962):
“That man has been a thorn in my side for over 40 years. But one thing about him – he never lied to me.”

Cover of "Dr. No (Two-Disc Ultimate Editi...

Cover of Dr. No (Two-Disc Ultimate Edition)

 Dr. No (1962):
“…Bond. James Bond.”


Cropped screenshot of Joan Crawford from the f...

Cropped screenshot of Joan Crawford from the film Category:Whatever Happened to Baby Jane? (film) (Photo credit: Wikipedia)

Whatever Happened to Baby Jane (1962):
“You wouldn’t be able to do these awful things to me if I weren’t still in this [wheel] chair.”
But ya are, Blanche! Ya are in that chair!”

Cover of "Hud"

Cover of Hud

Hud (1963):
“The only question I ever ask any woman is: ‘What time is your husband coming home?'”

Carry On (film series)

Carry On (film series) (Photo credit: Wikipedia)

Carry on Cleo (1964):
“Infamy! Infamy! They’ve all got it in for me.”

English: Peter Sellers as President Merkin Muf...

English: Peter Sellers as President Merkin Muffley in Stanley Kubrick’s 1964 film, Dr. Strangelove. (Photo credit: Wikipedia)

Dr. Strangelove (1964):
“Mr. President, I’m not saying we wouldn’t get our hair mussed, but I do say no more than ten to twenty million killed, tops, that is, depending on the breaks.”

English: The War Room with the Big Board from ...

English: The War Room with the Big Board from Stanley Kubrick’s 1964 film, Dr. Strangelove. (Photo credit: Wikipedia)

Dr. Strangelove (1964):
“Gentlemen. You can’t fight in here. This is the War Room!”

James Bond 007: Goldfinger

James Bond 007: Goldfinger (Photo credit: Wikipedia)

Goldfinger (1964):
“My name is Pussy Galore.”
I must be dreaming.”

English: Screenshot of Julie Andrews from the ...

English: Screenshot of Julie Andrews from the trailer for the film Mary Poppins (Photo credit: Wikipedia)

Mary Poppins (1964):

My Fair LadyScene from My Fair Lady

My Fair Lady (1964):
“Come on. Dover! Come on, Dover! Move yer bloomin’ arse!”

theatrical poster

theatrical poster (Photo credit: Wikipedia)

The Night of the Iguana (1964):
“There are worse things than chastity, Mr. Shannon.”
Yeah, lunacy and death.”

Psycho 1960 film (Madame Tussauds London).

Psycho 1960 film (Madame Tussauds London). (Photo credit: Wikipedia)

And so that’s that for this week’s quotes. I hope you’ve enjoyed it as much as I have putting it together and I’ll be back next week with the second part of quotations from some of the classic movies of the 1960’s. Till next week then, Slán Leat!

Posted by Michael ‘Charlie’ McGee

Come the Revolution

One of the largest ever audiences for a silent film assembled in London on September 12th 2004. It is estimated that 25,000 people attended to see Eisenstein’s Communist masterpiece The Battleship Potemkin. The attraction? A new score by the Pet Shop Boys. 

“Writing a silent film soundtrack is great because you’ve got 73 minutes of clear space,” said front-man Neil Tennant. “It’s not like writing a soundtrack to a talkie, where you have to fit the music around the dialogue. You have a completely clean slate.”

How they filled that slate you can judge for yourself. The film is now available here with the full Pet Shop Boys score. You’ll want to turn your speakers up. 


Why North Tipperary: A History Lesson

Brian Boru, King of Munster

Brian Boru, King of Munster (Photo credit: Wikipedia)

In a short than usual post this week, I’m going to have a quick look at how the County of Tipperary has got it’s name and furthermore maybe understand why there is a distinction between North Tipperary and South Tipperary. Hey, it must be the Celts in us to always be on the lookout for a bit of rivalry.

Anyway, my research tells me that before the devastating Norman invasion (from which most of our surnames are derived from, although history does state that the Normans became more Irish than the Irish themselves), well anyway, before the Norman invasion, the county of Tipperary was even divided back then, into the old North Munster kingdom of Thomond (includes parts of Clare and North Limerick), and the South Munster kingdom of Desmond. Now there were two clans that dominated this part of the country and these were the O’Brien’s and the McCarthy’s and it seems that Tipperary was where their endless battles would take place. This was, of course, until McCarthy’s were kicked out into Cork and so the McCarthy name became connected to Cork. The O’Brien’s though ruled supreme, with their most famous monarch being Brian Boru, the founder of the O’Brien dynasty and the High King of Ireland (Reigned: 1002 – 1014, , 1,000 year anniversary early next year, sure now there’s another reason to visit North Tipperary: site of original dominions). Now every Irish schoolboy and schoolgirl has heard of Brian Boru, but even if you haven’t, why not pay Brian Boru’s church, or his birthplace in Kincora, a visit at the border of North Tipperary and Clare at Ballina/Killaloe.

The Rock of Cashel.

The Rock of Cashel. (Photo credit: Wikipedia)

Looking moreso at this regal history of Tipperary, the Rock of Cashel, which is situated in the centre of the county, was the seat of the kings of Munster, but then the Normans arrived and decided to stay for a bit. On their arrival, the south of the county was granted to Philip de Worchester, while most of the north of the county was granted to Theobald Walter, whose family became the Butler’s or appointed servants to the King and so the Butler name was theirs. The Butlers were originally strong in the Nenagh area and indeed Nenagh castle was built by them. They became the Earls of Ormond and were a very strong voice in Irish affairs for three centuries.

Gramscis cousin 11:14, 12 July 2006 (UTC)

Gramscis cousin 11:14, 12 July 2006 (UTC) (Photo credit: Wikipedia)

The county of Tipperary was created and named after the small town of the same name in 1328 and some names that are connected to this great Irish county are the surnames Ryan, Maher, O’Meara, Gleeson, Hogan, O’Dwyer, Quirke, Macken, Moloney, Tracey, Kelly and of course O’Brien and O’Kennedy. In fact a good note of that last one, because another strong clan on the North Tipperary region and in fact the Nenagh area were the O’Kennedy’s, who would have been the ancestors of the late President of the United States of America, John F. Kennedy. And that’s not all when it comes to US presidents, there is also Ronald Reagan, who visited his ancestral home of Ballyporeen as President and also the existing President Barak, who of course hails from Moneygal, which is situated on the border of North Tipperary and Offaly and is just 13 miles from Nenagh town.

Now how about those for a number of reasons to visit North Tipperary. ‘The Well of Ara’, or Tipperary as we all know it today, is so packed with history, and we’re connected to our fair share of leaders through the ages, that all you need to do is take a deep breath and  taste it in the air. See y’all next time!

Posted by Michael ‘Charlie’ McGee

Friday Facts

Vanity Fair Frontispiece Facsimile

Vanity Fair Frontispiece Facsimile (Photo credit: Nils Geylen)

This week’s factual article was originally way back in 1921 in the publication titled Vanity Fair, no less. Written by Charles Hanson Towne, the article was called The Monstrous Movies and it looks at the growing new culture of Hollywood and film, but what it gives a modern audience is a forthright insight at what life was like way back in the silent era. This week I’ve the first of three parts of this fantastic article, with the following two parts appearing right here at Friday Facts over the coming weeks, so now, do enjoy:


Vanity Fair - August 2009Vanity Fair – August 2009


The Monstrous Movies


Caricature of Finley Peter Dunne (1867-1936). ...

Caricature of Finley Peter Dunne (1867-1936). Caption read “Mr Dooley”. (Photo credit: Wikipedia)

“There is a delightful story to the effect that when a young woman disappeared from New York some years ago, and every corner of the earth, seemingly, had been searched for her, Finley Peter Dunne suggested: Has anyone thought of looking in the gallery of the Century Theatre?'”


“Certain actor friends of mine have similarly disappeared from time to time. A deep, abysmal silence has followed their strange absence from the usual haunts of the metropolis. But now, at last, the mystery is solved. I know where they all are. They are in the movies – and most of them are in California, in a spot called Hollywood. I have prepared, on my first visit to the Coast, for the giant trees, the giant flowers, the colossal foliage and fruit that cause one to think he is living in a fairy-tale; I was certain of the great, wide-open hospitality – the big hearts and the abundant beauty I should see. But I was not prepared for the giant fungus growth, the monstrous mushroom that has sprung up overnight, as it were, in California – the most amazing and startling manifestation of the age: the movies.”


“Nothing can be small in California. Everything is magnified ten-fold or more; but the motion-picture industry has gone Nature one better; and the overwhelming scale on which it is run is something that the imagination cannot grasp at once.”



The New El Dorado


English: Nestor Studios, the first film studio...

English: Nestor Studios, the first film studio in Hollywood, 1913. (Photo credit: Wikipedia)

“As the old Forty-niners rushed to the gold fields in search of El Dorado, so now actors, actresses and managers, cameraman and directors, writers, artists and continuity folk, flock to that same section of the country; and they have built cities overnight, just as the gold-seekers did, and camped on the Coast. But with this definite difference: they have gone there to stay. They may rear a Spanish town this afternoon and demolish it next week; but something else will take its place within another twenty-four hours. A pavilion which is an exact replica of the one in Italy, let us say, may be erected for one scene in a play, and be absolutely valueless tomorrow. Money is thrown away as chaff before the wind. Almost it would seem that it would be more sensible to send a whole company to Italy than thus to toss gold into the Pacific. But no – all the paraphernalia is here – including the light that Nature has so thoughtfully and lavishly bestowed. Instead of actors being transported to Italy, therefore, Italy is brought to America – for a week or two; and nothing is thought of the miracle. next to it, a Greek village may be in the process of construction.”


Hollywood Studios 1922

Hollywood Studios 1922 (Photo credit: Wikipedia)

“‘The world is too much with us.’ one might say of Hollywood; and indeed the whole world seems literally to be here, concentrated in one tiny corner of the Earth. So many assortments are here that it reminds one of those ingenious prisoners who, with nothing else to do, crowd the words of the Lord’s Prayer on a pin-head. Hollywood is a contracted dance floor, on which everyone in the world is dancing; and the jazz goes on incessantly. There seems no rhyme or reason here, no method, no system, no direction; it appears a madhouse – as it is, and isn’t; and a visitor finds it difficult to adjust himself at first, to fall into step on the crowded, nervous floor.”


“Is it any wonder? For hodge-podge is Hollywood’s first, middle and last name. Confusion is the god that in some mysterious way runs this crazy universe.”


A Night at the Movies (film)

A Night at the Movies (film) (Photo credit: Wikipedia)

“What shall be said of a judgement that exploits the so-called “personalities” of little girls with weak chins but big black  eyes that “film” well, in stories dashed off like penny-dreadfuls, with ungrammatical captions and incoherent “continuity?” Of actors who care only for the money that they earn, and wouldn’t give tuppence for the studios unless their pay-envelope bulged at the end of the week and they could ride back and forth in a ten-thousand-dollar car? Of the younger group of perfect cameo-like profiles who leave shops and offices to go into the films, with no knowledge of the technique of acting, and who, when they have a priceless opportunity to watch a really great artist before the camera (for there are such), sit behind clumps of scenery and smoke innumerable cigarettes?”


And that’s that from Friday Facts for this week; See ya next week for part two of this wonderful article, so adios amigo!


Posted by Michael ‘Charlie’ McGee




A Quote on Thursday: 1950’s Part II

Welcome to Part Two of my collection of quotes from films created in the 1950’s. Some cracking ones and some classic films … can you remember these:

Marty (1955)Scene from Marty

Marty (1955):

“All right, so I’ll go to the Stardust Ballroom. I’ll put on a blue suit, and I’ll go. And you know what I’m gonna get for my trouble? Heartache. A big night of heartache.”

Mister RobertsScene from Mister Roberts

Mister Roberts (1955):

“Captain, it is I, Ensign Pulver, and I just threw your stinking palm tree overboard. Now, what’s all this crud about no movie tonight!”

James Dean, "Rebel Without a Cause",...

James Dean, “Rebel Without a Cause”, 1955 (Photo credit: thefoxling)

Rebel Without a Cause (1955):

“You’re tearing me apart! You, you say one thing, he says another, and everybody changes back again!”

Marilyn Monroe's skirt blows upwards in the 19...

Marilyn Monroe’s skirt blows upwards in the 1955 film The Seven Year Itch directed by Billy Wilder. (Photo credit: Wikipedia)

 The Seven Year Itch (1955):

“It’s just my imagination. Some people have flat feet. Some people have dandruff. I have this appalling imagination…”

To Catch a Thief (1955) features Hitchcock on ...

To Catch a Thief (1955) features Hitchcock on a bus alongside Cary Grant. (Photo credit: Wikipedia)

To Catch a Thief (1955):

“You want a leg or a breast?”

English: Screenshot from the trailer of Invasi...

English: Screenshot from the trailer of Invasion of the Body Snatchers (1956). Film trailers from before 1964 are in the public domain. Source: (Photo credit: Wikipedia)

Invasion of the Body Snatchers (1956):

“Look, you fools. You’re in danger. Can’t you see? They’re after you. They’re after all of us. Our wives, our children, everyone. They’re here already. You’re next!”

Cover of "The King and I (50th Anniversar...

Cover via Amazon

The King and I (1956):

 “When I shall sit, you shall sit. When I shall kneel, you shall kneel. Et cetera, et cetera, et cetera.”

Screenshot from the film The Searchers directe...

Screenshot from the film The Searchers directed by John Ford. (Photo credit: Wikipedia)

The Searchers (1956):

“Let’s go home, Debbie.”

Cropped screenshot of Edward G. Robinson from ...

Cropped screenshot of Edward G. Robinson from the trailer for the film The Ten Commandments. (Photo credit: Wikipedia)

The Ten Commandments (1956):

“So let it be written, so let it be done.”

Cover of "The Bridge on the River Kwai"

Cover of The Bridge on the River Kwai

The Bridge on the River Kwai (1957):

But don’t you see. It’s a matter of principle. If we give in now, there’ll be no end to it. No…I’m adamant. I will not have an officer from my battalion working as a coolie!”

The Incredible Shrinking ManScene from The Incredible Shrinking Man

The Incredible Shrinking Man (1957):

“That’s silly, honey. People just don’t get smaller.”

Tony Curtis as Sidney Falco and Burt Lancaster...

Tony Curtis as Sidney Falco and Burt Lancaster as J. J. Hunsecker (Photo credit: Wikipedia)

Sweet Smell of Success  (1957):

“I’d hate to take a bite out of you. You’re a cookie full of arsenic.”

Cropped screenshot of Tyrone Power from the tr...

Cropped screenshot of Tyrone Power from the trailer for the film Witness for the Prosecution (Photo credit: Wikipedia)

Witness For the Prosecution (1957):

“Killed him? She executed him.”

Cover of "Vertigo (Collector's Edition)"

Cover of Vertigo (Collector’s Edition)

Vertigo (1958):

“Well, I’ll wear the darn clothes if you want me to – if-if you’ll just, just like me.”

Cropped screenshot of Charlton Heston from the...

Cropped screenshot of Charlton Heston from the trailer for the film Ben Hur (Photo credit: Wikipedia)

Ben-Hur (1959):

“Your eyes are full of hate, Forty-One. That’s good. Hate keeps a man alive.”

North By Northwest

North By Northwest (Photo credit: Stewf)

North by Northwest (1959):

“…in the world of advertising, there’s no such thing as a lie. There’s only the expedient exaggeration. You ought to know that.”

Cropped screenshot from the trailer for the fi...

Cropped screenshot from the trailer for the film Rio Bravo (Photo credit: Wikipedia)

Rio Bravo (1959):

“I guess they’ll let you in the front door from now on.”

Some Like It Hot Scene from Some Like It Hot

Some Like It Hot (1959):

“Look at that! Look how she moves. That’s just like Jell-O on springs. She must have some sort of built-in motors. I tell you, it’s a whole different sex!”

Well that’s my film quotes from this post, but I’ll be back soon with another collection of film quotes – this time from the 1960’s, so watch this space. And that’s a wrap!!!

Posted by Michael ‘Charlie’ McGee

Fun Size Review: The Prisoner of Zenda (1922)

I’m Baaaacccckkkk!!!! Get ready to be flooded with posts over the coming days as I try to catch up with the last two weeks, but first of all have a butchers of this post from Movies Silently of the Rex Ingram production: The Prisoner of Zenda!!! Follow Link below and Enjoy:

The Prisoner of Zenda

Fun Size Review: The Prisoner of Zenda (1922).


Celebrating Richard Harris

One of the main motives behind the Nenagh Silent Film Festival was to celebrate a local film-maker who had succeeded on a global scale. The same urge is behind another boutique festival which launched its programme today. The Richard Harris Film Festival takes place in Limerick, of course, from December 6th to 8th this year.

It would please the great man immensely. Not only does it feature possibly his greatest performance, in This Sporting Life, but it also offers a platform to emerging film-makers in its shorts programme – and includes a rugby match.


You can find the full programme online here. It’s well worth supporting: